Mateusz Moleda


”... When working he is focused and determined, he perfects the accentuation, tightens the pace, emphasizes orchestral differentiation and sophistication. ...“ reported the Bavarian broadcasting station BR-Klassik, while accompanying Mateusz Molęda's rehearsals with the Nuremberg Symphony Orchestra on a concert tour to Poland. In recent seasons he continued his successful collaboration with the orchestra in many concerts in various German cities and at the Meistersingerhalle in Nuremberg.

During season 2020 / 2021 Mateusz will make his debut with the Dresden Philharmonic and the London Mozart Players. Furthermore, he intensifies his collaboration with the Odense Symphony Orchestra conducting concerts in Denmark.

Over the past years, Mateusz has received important musical impulses from his mentor Marek Janowski, for whom he worked by personal request also as assistant with the Berlin Radio Symphony Orchestra, the Dresden Philharmonic and the Frankfurt Radio Symphony Orchestra. By sharing his varied experiences, Maestro Janowski has profoundly influenced the artistic development of the aspiring young conductor in the spirit of the traditional German conducting school.

Season 2018 / 2019 marked among others Mateusz’s debut in Denmark, conducting the Aalborg Symphony Orchestra and the Aarhus Symphony Orchestra in programs of works by Schumann, Rachmaninov, Debussy and Hindemith and also the world premiere of the Concerto for Hammond Organ by Anders Koppel. Further invitations led him to the Carl Nielsen Academy Orchestra.

Undoubtedly Mateusz is one of the most interesting and remarkable personalities among today’s young developing orchestra leaders. Ever since his first appearance as a conductor aged just 19, he has surprised his audiences and critics alike with very mature interpretations of discerning concert programs. Analysing seriously both the music and the composer, it enables him to provide fascinating musical perspectives and express deep thoughts on music of various styles, to then display an exciting presence and energetic conviction on the podium.

Born in Germany, Mateusz grew up in Dresden. During his early training, he studied the piano at the Hochschule für Musik, Theater und Medien in Hanover with Professor Arie Vardi, one of the most distinguished musical pedagogues of the world and permanent conductor of the Israel Philharmonic Orchestra. As an accomplished concert pianist Mateusz performed in more than 25 countries around the world. He released several CD recordings and collaborated with some of the finest European orchestras in major music venues like the Berlin Philharmonic.

The son of a Polish soprano and tenor who performed leading roles at the Semper Opera Dresden, the Deutsche Oper Berlin and the Komische Oper Berlin for more than a decade, Mateusz encountered music theatre at an early age. He has an extensive operatic repertoire, which he continually expands also with rarely performed operas. His symphonic repertoire includes works from all musical periods, especially all symphonies by Beethoven, Schumann, Brahms, but also rarely performed pieces like Karl Amadeus Hartmann's 6th Symphony, Florent Schmitt's symphonic cantata Psalm 47 and Henri Dutilleux's Métaboles.

Engagements as guest conductor have taken Mateusz to numerous countries around the world over the past years, including Germany, Denmark, Spain, Poland, Albania, South Korea and South Africa. He has worked among others with the Deutsches Kammerorchester Berlin, the Nuremberg Symphony, the Jena Philharmonic, the Carl Nielsen Academy Orchestra, the Aalborg Symphony Orchestra, the Aarhus Symphony Orchestra, the Odense Symphony Orchestra and the NFM Wroclaw Philharmonic. Mateusz is a passionate traveller and has so far visited more than 60 countries around the globe. He is fluent in German, Polish, English, French and Russian.

Precision and Exuberance
Nordjyske Stiftstidende
Sat, 2018-10-06
"(...) Previously, the orchestra had warm-up with Schumann's Overture to "Genoveva" in a vivid and coherent interpretation that was conducted by Molęda with the utmost precision and exuberance. In the slow introduction, in particular, the wonderful tranquility came to the fore, which allowed the musicians to breathe with the music and to finish their phrases without undue stress. After the intermission, it was time for Robert Schumann's Third Symphony, named "Rhenish", a demanding and challenging work that does not play on its own. But also here, the young Mateusz Molęda demonstrated that he has a clear understanding of the work and showed subtile and transparent orchestral leadership through which he was able to convey his ideas to the orchestra unequivocally. The playing was full of energy and power while creating a coherent connection in the great lines of music. Molęda took very much care of a good inner balance between the groups of instruments. Particularly the brass was able to shine several times in the course of the symphony. Especially beautiful was the serious fourth movement, which was the prelude to a lively and quick finale, supple, dancing and full of invigorating energy. The orchestra played brilliantly and it has been a very nice encounter with a quite young, but impressively reliable conductor." By: Tore Mortensen
Press Service

Photo: Alexej Gorlatch

Photo: Alexej Gorlatch

Photo: Alexej Gorlatch

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