Sergej Krylov, Violin

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Biography

Sergej Krylov has established himself as one of the most talented violinists of his generation regularly invited to perform in major concert halls. He appears with some of the most prestigious orchestras in the world, including Staatskapelle Dresden, St. Petersburg Philharmonic, Royal Philharmonic, Filarmonica della Scala, DSO Berlin, Russian National Symphony, London Philharmonic, Accademia di Santa Cecilia, English Chamber Orchestra, Hessischer Rundfunk Frankfurt, Budapest Festival Orchestra, NHK Symphony Tokyo, Atlanta Symphony, and Copenhagen Philharmonic.
Among the most important personalities with whom he has worked, his friendship with Mstislav Rostropovich marks a very significant moment in Krylov’s artistic life. Krylov appears with many conductors: Mikhail Pletnev, Andrey Boreyko, Dmitri Kitajenko, Omer M. Wellber, Yuri Temirkanov, Valery Gergiev, Vladimir Ashkenazy, Nicola Luisotti, Vladimir Jurowski, Julian Kovatchev, Rafael Frühbeck de Burgos, Saulius Sondeckis, Zoltan Kocsis, and Yuri Bashmet.
Among the important personalities with whom he has worked, his friendship with Mstislav Rostropovich has been one of the most significant influences in Krylov’s artistic life. Krylov has appeared with many conductors including Vladimir Jurowski, Valery Gergiev, Mikhail Pletnev, Andrey Boreyko, Dmitri Kitajenko, Omer Meir Wellber, Yuri Temirkanov, Vladimir Ashkenazy, Fabio Luisi, Vasily Petrenko, Nicola Luisotti, Julian Kovatchev, Rafael Frühbeck de Burgos, Saulius Sondeckis, Zoltán Kocsis and Yuri Bashmet.
Major engagements this season include his debut with the London Philharmonic/Tonu Kaljuste, the Budapest Festival Orchestra/Dmitri Kitajenko, the Mozarteum Orchestra/Marc Minkowski and Orchestre Philharmonique de Radio France/Vasily Petrenko. Other highlights are the concerts in Cologne and Bonn with Kitajenko, in Moscow with Boreyko, in Bregenz with Pletnev and with Rai Orchestra Turin with Slobodeniouk. Among his recent highlights were his debut at the Berlin Philharmonie with the Deutsches Symphonie-Orchester Berlin conducted by Omer Meir Wellber and a return to the Teatro alla Scala in Milan with James Conlon conducting the Orchestra Filarmonica della Scala.
Sergej devotes a great deal of time to chamber music projects, playing alongside Denis Matsuev, Yuri Bashmet, Itamar Golan, Lilya Zilberstein, Aleksandar Madžar, Bruno Canino, Stefania Mormone, Maxim Rysanov, Nobuko Imai, the Belcea Quartet and Elīna Garanča.
Since 2009 he has been Music Director of the Lithuanian Chamber Orchestra, regularly taking the double role of soloist and conductor in a wide repertoire ranging from Baroque music to contemporary works.
His discography, in addition to the release of the Paganini 24 Caprices, includes recordings for EMI and Melodya.

February 2014

Calendar

Sergej Krylov's appearance in Denmark, Norway, Sweden and Finland.

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Wednesday, March 1, 2017

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Repertoire
Review
Curious Beethoven
Politiken
Sun, 2007-11-11
Brave artistic violinist and mild maestro played well together. '...Sergej Krylov proved to be an exciting soloist. Not only does he have a superior technique, he also has the power to express his musical ideas. The 37 year old Russion is a super precise, curiously investigating and above all a surprisingly delicate interpreter, who with his luxuriously creamy violin sound gave himself ample time to focus on all the passages in the popular concerto, which are normally bypassed in a hurry with closed eyes and nose in the air. With neat orchestral details and a kind baton, Giancarlo Andretta followed his soloist in an ear opening interpretation, which at time favoured exceptionally slow tempi, but nevertheless was played with fine dynamics throughout, and the finale was so playful and light, that one gladly followed soloist and conductor in their different interpretation...' 'The conductor had prepared everything nicely, but Krylov was the evening's great experience. To play Bach's well known D minor organ toccata for an encore and make all echo effects and ornamentations support the thesis that this super virtuoso piece of baroque music has been written for violin and not, as one believes, for organ, that is simply great.'
Intense Tchaikovsky
Fyns Stiftstidende
Mon, 2008-12-08
Naturally one cannot play Bach's impressive and impossibly difficult organ piece 'Toccata and Fugue' on the violin - it would be a more than hazardous undertaking. But then again - naturally one can - and even to perfection, when one's name is Sergej Krylov. He wished to thank the audience for the the thunderous applause after his performance of Tchaikovsky's Violin Concerto. His performance was on a towering high level. With rare musical intelligence Krylov got all the musicians out on the edge of the chairs, caught in his universe. The symbiosis was so intense, that a total surrender was the only solution for an astounded and fascinated orchestra - and audience. Both the melancholic melodies in the second movement and the pompous polonaise and dances in the outer movements were clear as glass, played with a terrific soloistic surplus and a becoming moedesty.
Hot and Wild
Børsen
Wed, 2008-12-10
'One no longer plays the violin, one mistreats it, beats it blue and yellow' wrote critic Eduard Hanslick after the first performance of Tchaikovsky's Violin Concerto. Funnily enough the concerto became a great hit. Funnily enough it was partly because Sergej Krylov beat his violin blue and yellow that his interpretation of Tchaikovsky's concerto was so terrific when he played it with Odense Symphony Orchestra. Krylov is not only a musician of the solid Russian school, with all it entails of technical superior control of his instrument. He also showed himself as a bit of a cheeky fellow. His violin sounded lovely gipsy warm and his temper was restless. The dramatic excitement in his interpretation was refreshing. Besides, Krylov was poetically blossoming without becoming too sweet, and he had a wonderfully unintimidated and level-headed way of portraying Tchaikovsky's pain.
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